28 Apr
Published in Song of 2day
Adam Lyons Schlesinger[1] (born October 31, 1967) is a songwriter, record producer, and performer. He is a winner of Emmy and Grammy awards and has been nominated for Oscar, Tony and Golden Globe Awards. He is also a recipient of the ASCAP Pop Music award. He was a founding member of the bands Fountains of Wayne, Ivy, and Tinted Windows. He is currently a key songwriting contributor and producer for Brooklyn-based synth-pop duo Fever High. Schlesinger grew up in Manhattan and Montclair, New Jersey, where he attended Montclair High School.Schlesinger was nominated for an Academy Award and a Golden Globe Award in 1997 for writing the title track of the Tom Hanks-directed film That Thing You Do![5] as well as two other songs for the film.
27 Apr
Published in Song of 2day
Mulholland Drive (stylized as Mulholland Dr.) is a 2001 neo-noir mystery film written and directed by David Lynch and starring Naomi Watts, Laura Harring, Justin Theroux, Ann Miller, and Robert Forster. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in Los Angeles, who meets and befriends an amnesiac woman (Harring) recovering from a car accident. The story follows several other vignettes and characters, including a Hollywood film director (Theroux).At the hinge of the film is a scene in an unusual late night theater called Club Silencio where a performer announces "No hay banda (there is no band) ... but yet we hear a band", variated between English, Spanish and French. Described as "the most original and stunning sequence in an original and stunning film",Rebekah Del Rio's Spanish a cappella rendition of "Crying", named "Llorando", is praised as "show-stopping ... except that there's no show to stop" in the sparsely attended Club Silencio.Lynch wanted to use Roy Orbison's version of "Crying" in Blue Velvet, but changed his mind when he heard Orbison's "In Dreams".Del Rio, who popularized the Spanish version and who received her first recording contract on the basis of the song, stated that Lynch flew to Nashville where she was living, and she sang the song for him once and did not know he was recording her. Lynch wrote a part for her in the film and used the version she sang for him in Nashville.The song tragically serenades the lovers Betty and Rita, who sit spellbound and weeping, moments before their relationship disappears and is replaced by Diane and Camilla's dysfunction. According to one film scholar, the song and the entire theater scene marks the disintegration of Betty's and Rita's personalities, as well as their relationship. With the use of multiple languages and a song to portray such primal emotions, one film analyst states that Lynch exhibits his distrust of intellectual discourse and chooses to make sense through images and sounds.The disorienting effect of the music playing although del Rio is no longer there is described as "the musical version of Magritte's painting Ceci n'est pas une pipe".
26 Apr
Published in Song of 2day
Bernard Herrmann (born Max Herman; June 29, 1911 – December 24, 1975) was an American composer best known for his work in composing for motion pictures. As a conductor, he championed the music of lesser-known composers.The music for "Taxi driver" by Bernard Herrmann was his final score before his death on December 24, 1975, and the film is dedicated to his memory. Robert Barnett of MusicWeb International has said that it contrasts deep, sleazy noises, representing the "scum" that Travis sees all over the city, with the saxophone, a musical counterpart to Travis, creating a mellifluously disenchanted troubadour. Barnett also observes that the opposing noises in the soundtrack—gritty little harp figures, hard as shards of steel, as well as a jazz drum kit placing the drama in the city—are indicative of loneliness in the midst of mobs of people. Deep brass and woodwinds are also evident. Barnett heard in the drumbeat a wild-eyed martial air charting the pressure on Bickle, who is increasingly oppressed by the corruption around him, and that the harp, drum, and saxophone play significant roles in the music.
25 Apr
Published in Song of 2day
Robert Fitzgerald Diggs (born July 5, 1969), better known by his stage name RZA (/ˈrɪzə/ RIZ-ə), is an American rapper, record producer, musician and actor. He is the de facto leader of the Wu-Tang Clan.[1] He has produced almost all of Wu-Tang Clan's albums, as well as many Wu-Tang solo and affiliate projects. He is a cousin of two other original Wu-Tang Clan members: GZA and Ol' Dirty Bastard. He has also released solo albums under the alter-ego Bobby Digital, along with executive producing credits for side projects. Prior to forming the Wu-Tang Clan, RZA was a founding member of the horrorcore group Gravediggaz, where he went by the name The RZArector.The soundtrack of the 1999 Jim Jarmusch film Ghost Dog: The Way of the Samurai features an original score by RZA and also features hip-hop songs by such artists as Wu-Tang Clan, Killah Priest, and Public Enemy. Two soundtrack albums were released, one internationally and another in Japan, each with different song mixes, some of which do not appear in the film. There are many songs, however, that can be heard in the film that appear on neither soundtrack album.[citation needed] It is the first of RZA's fully scored film works.
24 Apr
Published in Song of 2day
John Howard Carpenter (born January 16, 1948) is an American filmmaker, screenwriter and composer. Although Carpenter has worked with various movie genres, he is associated most commonly with horror, action, and science fiction films of the 1970s and 1980s.Most films of Carpenter's career were initially commercial and critical failures, with the notable exceptions of Halloween (1978), The Fog (1980), Escape from New York (1981), and Starman (1984). However, many of Carpenter's films from the 1970s and the 1980s have come to be considered as cult classics, and he has been acknowledged as an influential filmmaker. The cult classics that Carpenter has directed include Dark Star (1974), Assault on Precinct 13 (1976), The Thing (1982), Christine (1983), Big Trouble in Little China (1986), Prince of Darkness (1987), They Live (1988), and In the Mouth of Madness (1995). He returned to the Halloween franchise as both composer and executive producer for the horror sequel Halloween (2018).Christine is a 1983 American supernatural horror film directed by John Carpenter and starring Keith Gordon, John Stockwell, Alexandra Paul, Robert Prosky and Harry Dean Stanton. The film also features supporting performances from Roberts Blossom and Kelly Preston. Written by Bill Phillips and based on Stephen King’s 1983 novel of the same name, the movie follows the changes in the lives of Arnie Cunningham, his friends, his family, and his teenage enemies after Arnie buys a vintage 1958 Plymouth Fury named Christine. Strange things happen and the viewers learn the car's secret: That it is possessed by a malign spirit out to even the score with anyone who does the car – or its owner – wrong. Upon its release, the film grossed $21 million at the US box office. Despite a lukewarm reception among critics, the film has become a cult classic.
23 Apr
Published in Song of 2day
John Barry Prendergast, OBE (3 November 1933 – 30 January 2011)was an English composer and conductor of film music. He composed the scores for 11 of the James Bond films between 1963 and 1987, and also arranged and performed the "James Bond Theme" to the first film in the series, 1962's Dr. No. He wrote the Grammy- and Academy Award-winning scores to the films Dances with Wolves and Out of Africa, as well as the theme for the British television cult series The Persuaders!, in a career spanning over 50 years. In 1999, he was appointed OBE for services to music. Born in York, Barry spent his early years working in cinemas owned by his father. During his national service with the British Army in Cyprus, Barry began performing as a musician after learning to play the trumpet. Upon completing his national service, he formed his own band in 1957, The John Barry Seven. He later developed an interest in composing and arranging music, making his début for television in 1958. He came to the notice of the makers of the first James Bond film Dr. No, who were dissatisfied with a theme for James Bond given to them by Monty Norman. This started a successful association between Barry and Eon Productions that lasted for 25 years. Beat Girl is a 1960 British film about late-fifties youth-rebellion. The film was later released in the United States under the title Wild for Kicks. The title character of Beat Girl was played by starlet Gillian Hills, who later went on to have numerous small roles in 1960s and 1970s films, such as Blowup and A Clockwork Orange, and became a successful "ye-ye" singer in France.[2][3][4][5] Beat Girl marked the first film roles of British pop idol Adam Faith and actor Peter McEnery, although it was not released until after other films featuring Faith (Never Let Go)[6] and McEnery (Tunes of Glory)[7] had already come out. The film also features Christopher Lee and Nigel Green as strip joint operators, and Oliver Reed in a small role as one of the "beat" youth. The original music was composer John Barry's first film commission, and was performed by the John Barry Seven and Orchestra, Adam Faith, and Shirley Anne Field.The Beat Girl soundtrack was the first British soundtrack album to be released on a vinyl LP,and it reached number 11 on the UK Albums Chart, paving the way for the release of other film soundtrack albums.
22 Apr
Published in Song of 2day
Stewart Armstrong Copeland (born July 16, 1952) is an American musician and composer. He was the drummer for the British rock band the Police, has produced film and video game soundtracks and written various pieces of music for ballet, opera and orchestra. According to MusicRadar, Copeland's "distinctive drum sound and uniqueness of style has made him one of the most popular drummers to ever get behind a drumset."Rumble Fish is a 1983 American drama film directed by Francis Ford Coppola. It is based on the novel Rumble Fish by S. E. Hinton, who also co-wrote the screenplay. The film centers on the relationship between a character called the Motorcycle Boy (Mickey Rourke), a revered former gang leader wishing to live a more peaceful life, and his younger brother, Rusty James (Matt Dillon), a teenaged hoodlum who aspires to become as feared as the Motorcycle Boy. Coppola wrote the screenplay for the film with Hinton on his days off from shooting The Outsiders. He made the films back to back, retaining much of the same cast and crew. The film is notable for its avant-garde style with a film noir feel, shot on stark high-contrast black-and-white film, using the spherical cinematographic process with allusions to French New Wave cinema and German Expressionism. Rumble Fish features an experimental score by Stewart Copeland, drummer of the musical group the Police, who used a Musync, a new device at the time.
18 Apr
Published in Song of 2day
In 1987, a trio known as De La Soul formed from Long Island, NY roots and changed the landscape of hip-hop as we knew it. Now, for over 20 years they have rocked us with their De La songs full of inscrutable samplings, whimsically irreverent lyrics, social commentary, light rhythm and laid back rhymes. They have gained respect within and outside the hip hop community with their contributions to rap, as well as jazz, funk, soul and alternative genres. Not only are their musical innovations acclaimed and respected worldwide, but they paved a path for many alternative rap groups to come after them.
17 Apr
Published in Song of 2day
Hugh Mundell (14 June 1962 – 14 October 1983) was a Jamaican reggae singer and songwriter.
16 Apr
Published in Song of 2day
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