Song of 2day
Song of 2day

Song of 2day (700)

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"The gangster Rothko of sound"

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C: We had a big discussion about the gender topic lately. We asked ourselves whether the gender you feel like you belong to has something to do with who you are attracted to. We asked ourselves why a lot of straight girls seem more girly in a traditional sense — whether that is a real thing or just something that is expected by society.

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Based on the northern coast of Scotland, the group got its start on acclaimed experimental electronica label Skam in 1996 after recording an obscene number of tracks and pressing the best of them up as a miniscule-run 12", Twoism, an eight-track promo EP the group sent to labels in lieu of a demonstration tape. The pair's first official release appeared on Skam toward the middle of 1996, and was quickly hailed as among the label's finest releases to date. Titled Hi Scores, the EP is an engaging mix of simple, infectious three-part synth melodies, subtle hip-hop and electro references, and alternately tense and relaxing beatwork endlessly repeated in shifting combinations (à la Autechre, Bochum Welt, and Cylob). Almost a mini-LP at six tracks and nearly half an hour in length, the debut was followed in late 1996 by a series of live gigs opening for Plaid and Autechre, as well as compilation tracks for Uvm and Skam/Musik Aus Strom side project label Mask (under the name Hellinterface).

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I'm just some irritating, lying, ginger kid from Cornwall who should have been locked up in some youth detention centre. I just managed to escape and blag it into music.

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"2 Katara" was the group formed in Athens, Greece in 1978 by George M. Theodorakis (keyboards, percussion, vocals) with his close friend Dimitris Papaggelidis (bass, guitars, percussion, vocals). "Break At Home (Original Studio Recordings: 1971-1981) is the sixth installment on Into the Light Records which proudly compiles 14 unreleased demo recordings from this multiversal music-duos that stayed for decades one of Athens' best kept secret! Release Date: September 2017

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GOTHAM CITY was formed 1980 in the Swedish city Umeå, they released their first demo in 1981 which featured members: Ola Ohlsson - Vocals, Mårten Edlund - Guitar, Björn Erik Melander - Bass and Jonas Östman - Drums. The song "Borderline" was later included on their 'The Unknown' album with changed lyrics. Some of the other songs would also show up on the 1983 EP 'Black Writs'. In 1982 they released the cult single 'Gotham City / Killer Angels' on Brute Force records limited to 300 copies. There is also a bootlegged versions of this 7" on clear vinyl. A year later they would put out their last recorded material with vocalist Ola Ohlsson; the EP 'Black Writs' which was recorded in February at Tonteknik Studios, engineered by Per Sorlin. Later in 1983 Ola Ohlsson leaves GOTHAM CITY and Anders Zackrisson takes over as the vocalist, a 9-track demo is recorded. In 1984 the monster is released; their first and only full-lenght album "The Unknown". This would also be their last official release. The song "The Beast Will Burn" from the album was also featured on the compilation album 'The Great Metal Attack Part 1 (1984)'. http://www.fwoshm.com/index/G/35-gotham-city-swe

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From the dark woods of Värmland, Sweden, sounds slightly melancholic werewolf rock when album debutants Lykantropi delivers seventies-pop-folk-rock-doom. Enchanting female and male vocals in symbiosis consolidates the lycanthropic touch painted by diverse, catchy melodies. New, fresh, old music. Transformation is a descriptive term for the album which was recorded live in the studio and mastered by Martin Konie Ehrencrona (The Oath, In Solitude, Dundertåget). The main inspiration is found in the '70s rock, but consists of an equal part of their embracing of nature and its force, dark as light.

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On Sparkling Waters, Mammatus expand upon the astral grooves and heady riffs of their previous compositions and set a course for the furthest horizon. Celestial arpeggiations of electric guitar ricochet infinitely across vast expanses of cosmic debris. Heavy riffs thunder with a rhythmic groove, like the exploding coast of Ornia spoken of in days past. Pastoral passages of mellow, slow burning psychedelia give way to Native American flute melodies and the chanting of spiritual incantations filtered through canyons of delay. Heavenly dual guitar leads soar like a hawk gliding over a mountainside redwood canopy. Radiant synthesizers harmonize to create a shape shifting formation of ambient space that envelops the rock and in some places completely takes over.

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SRC had their own distinct sound and unique vision- heavy psychedelic rock mixed with hard rock overtones with Quackenbush's lead guitar style really contributing to their overall sonics. Quackenbush's technique was incredible, especially the way he used feedback and incorporated it into searing solos that are so expressive and can range from melodic to chaotic in a matter of seconds in the same song. This made the band stand out, although the other band members shouldn't be underestimated since it's when they all got together that the songs took form. Their music is the kind you get lost in, you forget yourself and your surroundings just melt away. Their sound reflected influences like Cream, The Pretty Things, The Who and The Yardbirds and other British bands. They mixed that influence with the sound of peers from the local music scene (the Stooges,MC5 and the Amboy Dukes) to come up with something very unique and creative. http://www.furious.com/perfect/src.html

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[...]This album is packed full of brilliant guitar work, and the solos are some of the greatest you will ever find in metal. They are fast, rapid fire solos, that slam you in the face and don't stop pounding away until the album is over and you are left a quivering wreck. Their quest is simple, to riff and solo until your eyes begin to bleed and fall out of your skull. And they pull it off amazingly, they sound fresh and stylish the whole way through, there are no boring riffs to be found on this album. There are many great things about this album. Everything is done brilliantly and there is not a single note out of place. The drumming remains amazing from track to track, with Gill beating away at a brilliant exhausting pace. Dawson also keeps up toe to toe, pounding away with his four string. There are no ballads or anything less than 100% metal. Saxon's style is simple, a powerful rhythm section and vocals combined with tremendous twin lead guitars, a style made famous by Judas Priest and done excellently on this album.[...] http://www.sputnikmusic.com/review/56484/Saxon-Denim-and-Leather/

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The Stranglers are a rock music group, formed on September 11, 1974 in Guildford, Surrey, England, United Kingdom. They were originally called The Guildford Stranglers and operated from an off-licence in the town. They also based themselves in the nearby village of Chiddingfold for a while.Original personnel were singer/guitarist Hugh Cornwell (from Kentish Town, London), keyboardist/guitarist Hans Wärmling (from Sweden, replaced within two years by Brighton-born keyboardist Dave Greenfield), London-born bass guitarist Jean-Jacques Burnel and drummer Jet Black (real name Brian Duffy), a native of Ilford, Essex.The Stranglers were, beginning in 1976, tangentially associated with punk rock, due in part to their opening for The Ramones' first British tour. The Stranglers were also associated with new wave music as well as gothic rock, but their idiosyncratic approach never fit completely within a musical genre.

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The Sound were an English post-punk band,formed in South London in 1979 and dissolved in 1988.They were fronted by Adrian Borland, and evolved from his previous band The Outsiders.While never commercially successful, the Sound have long been championed by critics.The Sound were formed in South London in 1979 from the remnants of the punk band the Outsiders. The original lineup of the Sound consisted of Adrian Borland (vocals, guitar) and Graham Bailey (bass guitar), both ex-Outsiders, along with Mike Dudley (drums) and Benita "Bi" Marshall (keyboard, saxophone, clarinet). While not a member, ex-Outsider Adrian Janes would contribute ideas and co-write lyrics to the Sound's music.The band split up in early 1988.Adrian Borland succumbed to symptoms of what is known as schizoaffective disorder, and committed suicide by jumping in front of a train on 26 April 1999. Bailey moved to New Orleans, where he lived for 16 years, returning to the UK in 2007. Mayers died in 1993 from an AIDS-related condition. Dudley retired from the music industry, living and working in South London."Winter" is a song from the E.P. "SHOCK OF A DAYLIGHT"(1984)

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Killing Joke are an English rock band formed in October 1978 in Notting Hill, London, England. The original line-up included Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitars) and Youth (bass).Their first album, Killing Joke, was released in 1980. After the release of Revelations in 1982, bassist Youth was replaced by Paul Raven. The band achieved mainstream success in 1985 with both the album Night Time and the single "Love Like Blood".A key influence on industrial rock,their early music was described by critics Stephen Thomas Erlewine and John Dougan as "quasi-metal [...] dancing to a tune of doom and gloom", which gradually evolved over the years, incorporating elements of electronic music, synthpop and gothic rock,though always emphasising Coleman's "savagely strident vocals".Killing Joke have influenced many later bands and artists, such as Metallica, Nine Inch Nails and Soundgarden. Coleman and Geordie have been the only constant members of the band, the current line-up features all four original members. "Eighties" is Killing Joke's first single from their fifth studio album, Night Time. It was originally released in April 1984.The song "Come as You Are", by American grunge band Nirvana, featured a riff similar to "Eighties". Nirvana and their management company, Gold Mountain, were unsure about releasing the song as a single from their 1991 studio album, Nevermind. Danny Goldberg, head of Gold Mountain, later revealed that "[w]e couldn't decide between 'Come as You Are' and 'In Bloom.' Kurt [Cobain] was nervous about 'Come as You Are' because it was too similar to a Killing Joke song but we all thought it was still the better song to go with. And, he was right, Killing Joke later did complain about it".Nirvana biographer Everett True wrote that "Come as You Are" was eventually chosen for release as a single because "Goldberg favoured the more obviously commercial song".After Nirvana released the single in 1992, members of Killing Joke claimed the main guitar riff of "Come as You Are" plagiarized the riff of "Eighties", but according to Rolling Stone magazine, they did not file a copyright infringement lawsuit because of "personal and financial reasons".However, conflicting reports, such as Kerrang!, have stated differently.Cobain's death in 1994 effectively dissolved Nirvana and the conflict with Killing Joke.If there was a lawsuit filed as Kerrang! claimed, it was either thrown out of court,or it was dropped to take the burden off the remaining members of Nirvana and their management. However, the court that supposedly took the case was not named and many doubted that Killing Joke ever filed a lawsuit against Nirvana.

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Early 80s post punk/new wave band from Greece. They released a 7" in 1982 and the lp "Bare hands" in 1983.The Reporters were the side project of Kostas Pothoulakis who at the same time was playing for Villa 21.Faraway from the raw dark sound of Villa 21, The Reporters were much more "new wave" - due to wide use of synthesizers and melancholic atmosphere.

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Belong is an American experimental music duo composed of Turk Dietrich and Michael Jones. The group formed in New Orleans in 2002. Their debut album, October Language, was recorded in 2004 and released in 2006. The duo's sound blends ambient styles, with a focus on guitar textures. Reviews have made comparisons to current electronica artists like Fennesz and Tim Hecker, as well as the early 1990s shoegazing sound attributed to bands such as My Bloody Valentine and The Jesus and Mary Chain.Guitars and synthesizers are run through various effects to produce the band's sound.In January 2008, their Tour EP, (recorded in 2005, sold as a CDr at live shows in February 2006) surfaced in 128 kbit/s quality, ripped by a fan. Belong directly offered it to fans in MP3 for free, at a higher quality 192 kbit/s. This was also done for their latest EP, Same Places, this time in 320 kbit/s.In 2009, October Language was released on vinyl by Geographic North Records, a label based out of Atlanta, GA.

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KaS Product is a French electronic duo. Their music has been considered part of the French cold wave and electropunk movements. Formed in 1980, the duo consists of Spatsz on electronics and rhythm machines with Mona Soyoc on guitar, vocals and piano. Spatsz worked at a psychiatric hospital previously while Mona worked with a jazz band before meeting Spatsz.Their music is done in a similar minimal electronics and vocal style akin to Suicide and Soft Cell.

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She Past Away is a dark wave band from Bursa, the opposite shore of the Marmara, formed by Volkan Caner (vocal/guitar) and Idris Akbulut (bass) in 2006. With the live participation of Doruk Ozturkcan in electronic drums, the band was totally shaped by the end of 2009.Clashing gothic lyrics with buzzsaw guitars, allegedly broken vocals and sensory drum effects, the band evokes the cavernous experiments of darkwave era with the likes of Fields of the Nephilim, The Sisters of Mercy, Bauhaus and Suicide.After a long demo-recording session, in 2009, the duo joined to Remoov Records in which they began to work on their debut release with Süpermatik.The common characteristic of their live performances is that they combine their well-positioned rawk tunes and harsh textures with paranoia-inducing industrial visuals, which are created by Asli Narin.

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Post psychedelic sound with wild guitar riffs and explosive instrumental dark themes, accompanied by violins, piano, hammond, dark bass lines and pagan beats.

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