Song of 2day
Song of 2day

Song of 2day (911)

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New Wave/Synth Pop band formed in Athens, Greece.Το συγκρότημα ''Χωρίς Περιδέραιο'' ήταν μια τριμελής μπάντα, από τις πρώτες new wave της ελληνικής σκηνής της δεκαετίας του '80. Όλα τα τραγούδια τους είναι με ελληνικό στίχο, τον οποίο και έγραφε ο Νίκος Αγγελής με σαφή επιρροή από τον υπερρεαλισμό. Η ονομασία του γκρουπ ''Χωρίς Περιδέραιο'' έγινε με αφορμή ένα τραγούδι που είχανε γράψει, όπου όμως δεν μπήκε σε κανέναν δίσκο τους αλλά παιζόταν στα live του συγκροτήματος.Τον Δεκέμβριο του 1983 κυκλοφόρησε η πρώτη δισκογραφική δουλειά του γκρουπ με τίτλο ''Άνωση''. Ήταν ένα επτάιντσο βινύλιο, με δύο τραγούδια, όπου κυκλοφόρησε από από την "Art Nouveau" σε 350 αντίτυπα. Τον Οκτώβριο του 1983 είχαν ηχογραφηθεί αυτά τα δυο κομμάτια, που ήταν τα "Άνωση" και "Το Χρώμα Και Το Σχήμα", στο στούντιο "Cosmosound". Το εξώφυλλο του επτάιντσου "Άνωση" είχε επιμεληθεί ο εκκεντρικός ζωγράφος Δημήτρης Γέρος.Το 1985 κυκλοφόρησαν τον πρώτο τους ολοκληρωμένο δίσκο όπου είχε τίτλο "Χορός Για Μουσική". Ο δίσκος αυτός ηχογραφήθηκε στο "The Mustes-Sound Studio". Ο δίσκος περιλαμβάνει εννιά νέα κομμάτια του γκρουπ, τα οποία και κυκλοφόρησαν από την ανεξάρτητη εταιρεία ''Λαιστρυγόνα'' σε δίσκο βινυλίου. Αυτή ήταν η πρώτη κυκλοφορία της ανεξάρτητης τότε εταιρείας Λαιστρυγόνα. Στο δίσκο ''Χορός Για Μουσική'', εκτός από τα τρία μέλη του γκρουπ συμμετείχαν και οι παρακάτω μουσικοί: Γιάννης Ντρενογιάννης κιθάρα (ex "Μagic de Spell", "Psychomafia", "Cpt Neφος" κ.α.), Γιώργος Δρακόπουλος πλήκτρα (''Moist Device'') και Στέφανος Λαρετζάκης τύμπανα (''Moist Device'') .

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Greek New Wave/Synth Pop group formed in 1980 in Thesaloniki.They released 2 Lp. "Grooving over beirut" in 1983 and "eastern side of love" in 1984

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Berlin Brides are an Athens-based duo comprising of singer/lyricist Natasha Giannaraki and keyboardist/composer Marilena Orfanou. They play an explosive mix of electro, punk & power pop and are renown for their caustic lyrics and electrifying live performances. They have toured all over Greece and have played alongside CocoRosie, Kap Bambino, Jessie Evans, and at Ejekt festival (Athens, 2009) with Subways, Klaxons, Jarvis Cocker and Röyksopp. They performed in the UK for the first time in June 2009 at Buffalo Bar, London, as winners of the Velvet Magazine competition. It was awarded to them by Artrocker Magazine, which labeled their self-released EP Failure To Wank as one of the two best releases of 2008. That performance granted them a slot for the New Bands Stage at Offset Festival in September 2009. In October 2010 they performed at Indie Week festival in Toronto, Canada. Their debut single, Rejection Junkie / Off The Rack, was released in June 2010 and their debut album, Modern Celibacy, in October 2010 by Inner Ear.

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Were originally formed by Apostolis & Valisia in November of 2008. Their sound and lineup has been through several experimentations and changes until March of 2010. Their music is influenced by post-punk and new wave bands, enriched with shoe gaze elements and experimental electronics. Vasilis (guitar) joined the band in June of 2009, Menis (analog synths, drum machines, eletronics) and Andreas (bass) followed in March of 2010.Ο ήχος των Phoenix Catscratch φανερώνεται από το πρώτο άκουσμα, σταθερά και πειθαρχημένα. Οι δραματικοί ρυθμικοί στροβιλισμοί του death punk και οι σκοτεινές minimal wave παρεμβολές, χτίζονται γύρω από το ταίριασμα των φωνών του Apostoli και της Valisia. Οι στίχοι είναι η σκοτεινή και διεστραμμένη σήμανση για την πορεία κάθε κομματιού, κάθε μεθυσμένης απαισιόδοξης πορείας προς την καταστροφή. Xmal Deutschland, Bauhaus, Christian Death, Martin Dupont, Virgin Prunes. Χωρίς ενοχές και εγωπάθειες, οι επιρροές είναι παντού ο darkwave προσανατολισμός ξεκάθαρος, τα στοιχεία του Nectars & Wrinkles που θα σε κάνουν να το πάρεις στα σοβαρά βρίσκονται σε όλα αυτά τα γνωστά και άγνωστα συστατικά του. Το ερημωμένο μελανόχρωμο τοπίο αρχίζει να ξεδιπλώνεται από το εναρκτήριο Faces are lying, bodies are dying. Η φωνή του Apostoli προειδοποιεί για τον κίνδυνο, της Valisia για την ελκυστική μορφή του, και αυτή η εναλλαγή τους γίνεται εμμονή σε όλα τα κομμάτια.

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Human Puppets formed in Athens in 2004. Members are Nick K. and Stathis L. (also known as 010). They insist on using only analogue synths and machines, despite the difficulties, the trends and against all odds.

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Electro-minimal-dark-synth-cold wave duo from Athens, Greece.

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Theodore is a Greek multi-instrumentalist, composer and performer. He fuses classical composition with electronic elements, to create beautifully atmospheric and often cinematic songs. He uniquely combines this together with his influences, from Pink Floyd and Radiohead to a schooling in piano and traditional Greek folk music. In the fall of 2017, Theodore performed at Live at Heart in Örebro, Reeperbahn Festival in Hamburg and completed a tour in Spain, Germany, France and the UK. His future plans include shows at Eurosonic Noorderslag in January, SXSW in March, 2018, and the release of his next album on United We Fly.

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The band released several 12-inches on German disco label Gomma Records including Out the Door and Space to Rent, culminating in their self-titled debut album WhoMadeWho in 2005. In 2009 they released their second album The Plot, the third album Knee Deep was released in 2011 followed by Brighter in 2012. The latest album Dreams was released in 2014. As a live band, WhoMadeWho has played alongside genre bending contemporaries Daft Punk, Soulwax, Hot Chip, Justice and LCD Soundsystem. After touring together Hot Chip asked to remix their single "TV Friend", and Josh Homme of Queens of the Stone Age has covered "Space to Rent". WhoMadeWho gained further popularity when they headlined the Benicàssim festival in 2007 after a delay caused scheduled headliners, Klaxons, to arrive too late to play their set. On 21 February 2014, they played with Arisa the song Cuccurucucu, a tribute to Franco Battiato, at Festival of Sanremo 2014, Italy.

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Family are an English rock band, active from late 1966 to October 1973, and again since 2013 for a series of live shows. Their style has been characterised as progressive rock, as their sound often explored other genres, incorporating elements of styles such as folk, psychedelia, acid, jazz fusion and rock and roll. The band achieved recognition in the United Kingdom through their albums, club and concert tours and appearances at festivals.[ The band's rotating membership throughout its relatively short existence led to a diversity in sound throughout their different albums. Family are also often seen as an unjustly forgotten act, when compared with other bands from the same period and have been described as an "odd band loved by a small but rabid group of fans".Although most of their recordings were issued in the US, the band never achieved any appreciable success there.

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Fauve collective, sometimes stylized as FAUVE, is a French arts collective of music and videography established in 2010 in Paris. The band also uses the not equal to sign ≠. The act depends mostly on story telling through acting, through spoken word and musical accompaniment. The collective has its own record label called FAUVE CORP. FAUVE presents itself as an open collective, containing at times more than twenty members (musicians, but also comedians, theatre technicians, visual artists... ).On stage, the collective is represented by five musicians (vocals, guitar, bass, drums and keyboards) and a video artist. During their media appearances, they aim to remain anonymous and of mysterious origins.The name of the band is inspired by Les Nuits fauves (English title Savage Nights), a 1992 French drama film directed and written by Cyril Collard. The collective became known through its online postings and found almost immediate success. On 20 May 2013, the band released its debut EP BLIZZARD containing the best of their productions thus far. It made the French Top 20 in its first week of release and two of the tracks appeared in the French Singles Chart. During the Bourges Spring Festival, it won the iNOUïS award as the discovery act of the festival called Découvertes du Printemps. The collective's first album is called VIEUX FRÈRES - Partie 1. The album was be released in two parts: VIEUX FRÈRES - Partie 1 was released on 2 February 2014 reaching number 2 in the SNEP French charts. The second part VIEUX FRÈRES - Partie 2 was released on 16 February 2015.

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It’s Autumn, 2015 A.D., and in Greece there is insufficient cause for celebration. The country is in economic ruin, and the natives are restless. The Volos tribe known as BAZOOKA is miffed to say the least, yet they say the most. They deliver the verbiage in their mother tongue, poisonous and pissed, for the duration of their scathing second LP “Useless Generation.” These eleven tracks of turbulent, psychedelic punk brilliantly commandeer the unique sense of youthful contempt of what surely must be the current global vortex of corruption and frustration, yet BAZOOKA sallies forth with dutiful abandon.The sessions that produced “Useless Generation” have yielded a sonic result that would humble the mighty Zeus. Unnerving banshee howls drench the soundscape, surreal, and at times, miraculously humorous. Often stiff, militant and urgent, this newest effort makes no qualms with slathering a syrupy dose of synthesizers bending around the crest of the lunar rising, utilizing reverb soaked woodwinds that spiral down from a 5th flight, and employing totemic canter handed down through the millennia while remaining constantly searing.

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ACID BABY JESUS formed in Athens, Greece in 2009. They quickly honed a heavy psychedelic rock’n’roll sound influenced equally by the Western World’s lysergic pop past and Greece’s complex folk history. “We have the tools and we have the talent. No show too small, no fee too big. We’re ready for anything.” ABJs

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Greek freak-rock has finally slithered its way into the Black Gladiator stable after years of us trying to keep everything as America-centric – as the birthplace of rock’n’roll – as possible. Sometimes you just glom onto a sound that stimulates your cochlea in such a manner that its origin becomes as meaningless as rock’n’roll itself. Athens duo HAND & LEG is the unit that has popped our intercontinental cherry with their debut, self-titled album of throbbing arthouse post-punk, sonically akin to the more stripped-down elements of the French glue-wave scene. Iro (f: bass guitar) and Stelios (m: drums) bleed gross distortion over grinding sex beats with precision, alternating vox on tributes to unlikely American folk gods Dave van Ronk and Lester Bangs, while channeling the traditional, Minoan minimal music of Crete to complete their primitive manifesto: The Kritikal Beatdown.

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Welcome to the latest USELESS EATERS installment in the Slovenly Recordings repertoire. Following the unrestrained pummel of 2014’s “Desperate Living” 7inch, and the strange cohesiveness of their “Singles: 2011-2014” collection, we present you with this stark and weird new “Temporary Mutilation” five track 10inch EP. Featuring the instrumental prowess of drummer Miles Luttrell from future Slovenly legends SCRAPER, Brendan Hagarty on bass, and recorded by Kelley Stoltz (Third Man Records fame) and mastered by Mikey Young of Australia’s TOTAL CONTROL, this release especially exemplifies singer / guitarist / leader Seth Sutton’s growth as a sonic craftsman – less concerned with “punk” as a sound while inevitably remaining PUNK, devoting himself to the development of unique noise. The title track’s skeletal arrangement and oddball meter has been embellished with haunting vibrations via phones of the saxo & xylo variety, electronic rhythmic units have been employed in “Poison Dart”, and the entirety of the EP bleeds with Sutton’s trademark horrific sci-fi imagery and aggressive riffs and delivery.

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Boston’s next level – garage punk Guru’s The Monsieurs. Out of the ashes of two legendary Boston bands Tunnel Of Love, and Fuzzy; The Monsieurs are known for the uncanny ability to make any persons head bang into a furious whiplash with simple rock and roll grooviness. Backed by two blonde bombshells, Hilken Mancini and Erin King assist frontman Andy Macbain in leading the Monsieurs through an unleashing indictable rockin’ rollin’ assault with sharp aesthetics, and aggression rooted in a keen pop sensibility making this platter just palatable enough for those with even the easiest listenings of taste.

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Atlanta’s SUBSONICS are a gutter-glam, minimal rock’n’roll trio. This is their 8th album and it’s called “Flesh Colored Paint.” Like all their previous works, this is a distilled hodgepodge of decades of popular culture and classic literature culminating in a collection of short and groovy shambolar: Chuck Berry, Albert Camus, AM radio rock jocks, Bo Diddley, Golden Age TV, surrealism, Mad Magazine, kung-fu flicks, Herman Melville, Little Richard, self-negating philosophy, David Johansen, The Bible, Dee Dee Ramone, Lee Van Cleef, Cornell Woolrich, advertising jingles, Dada, Carole King, Bugs Bunny, and Casablanca; the poem, not the film. This is a gorgeous mess of a record, and it’s cool. REAL COOL, KILLER. We hope you’ll find something within to make you think, or at the very least, dance, if it’s too deep.

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The Jesus and Mary Chain are a Scottish alternative rock band formed in East Kilbride in 1983. The band revolves around the songwriting partnership of brothers Jim and William Reid. After signing to independent label Creation Records, they released their first single "Upside Down" in 1984. Their debut album Psychocandy was released to critical acclaim in 1985 on major label WEA. The band went on to release five more studio albums before disbanding in 1999. They reunited in 2007.

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