Displaying items by tag: hard rock
Thursday, 05 July 2018 12:48

Alice Cooper - I'm Eighteen

"Σκίσαμε τρία ή τέσσερα μαξιλάρια και ψεκάσαμε τα πούπουλα με δοχεία που είχαν CO2 και τα ανατινάξαμε προς το κοινό" θυμάται ο Κούπερ. "Εν μέσω αυτής της χιονοθύελλας των φτερών και τους ήχους της κιθάρας, συνέβη αυτό ... Κάποιος από το κοινό πέταξε ένα ζωντανό κοτόπουλο στη σκηνή". "Είμαι από το Ντιτρόιτ. Δεν είχα βρεθεί ποτέ σε φάρμα. Απλά σκέφτηκα: Έχει φτερά, είναι πουλί, μπορεί να πετάξει. Οπότε το πέταξα στον αέρα. Αλλά αντί το κοτόπουλο να ανοίξει φτερά και να πετάξει, όπως περίμενε – 'έσκασε' πάνω στο κοινό" έχει εξομολογηθεί με απολογητικό ύφος ο Κούπερ σε παλαιότερη συνέντευξή του. Την επόμενη μέρα οι εφημερίδες είχαν πρωτοσέλιδα "Ο Άλις Κούπερ έσφαξε ένα ζωντανό κοτόπουλο στη σκηνή, το έκοψε κομμάτια, δάγκωσε το κεφάλι του".
Published in Song of 2day
Monday, 02 July 2018 11:06

Demon Head - The Resistance

Denmark’s most authentic proto-metal project took shelter from the winter on 2016 and shook off the frost with their massive second full-length ‘Thunder on the Fields’. It was somewhat overlooked for it’s retro sound and stripped-down hard psych style. The allure of Demon Head is in their dark proto-metal sound that rolls out like a cleaned up Pentagram tape from the 70’s. The immediate draw for me towards Demon Head was the lightly baked vocals of M. Ferreira Larsen that have a perfect affectation for their style, his cadence is halfway between briefly NWOBHM/prog band Demon‘s Dave Hill and a touch of 90’s Glenn Danzig minus the hysterics. His tone brings some horror and darkness that few retro-referential groups manage and elevates the personality of their guitar driven rock music.
Published in Song of 2day
Friday, 16 March 2018 10:21

Truth and Janey - Down the Road I Go

Not to be dismissed because of its underground status, Truth and Janey's only LP, No Rest for the Wicked, was another incredible find for indie record label Monster Records, which has always specialized in digging up long-forgotten American hard rock nuggets from the '70s, but really struck gold this time around.
Published in Song of 2day
Thursday, 15 March 2018 10:08

Bad Religion - No Control

No Control is the fourth album by American punk rock band Bad Religion, released on November 2, 1989 through Epitaph Records. Bad Religion began work on the album while touring in support of its previous album, Suffer (1988). No Control is stylistically faster than its predecessor, owing more to hardcore punk. Additionally, it was the first Bad Religion album not to feature a lineup change from after one consecutive studio album.
Published in Song of 2day
Wednesday, 14 March 2018 10:34

WitchSorrow - De Mysteriis Doom Sabbathas

Witchsorrow are a prime example of a band unaffected by this Johnny-come-lately approach and play their pure and epic non-pretentious brand of Doom Metal straight from the heart. If their self-titled 2010 debut suggested that, God Curse Us confirms it across almost an hour of unsullied doom.
Published in Song of 2day
Saturday, 17 February 2018 12:34

TAD - Wood Goblins

Tad (often styled as TAD) was an American grunge band from Seattle, Washington, formed in 1988 by Tad Doyle. Among the first of the many bands which came out of Seattle in the grunge era, Tad was notable for the fact that its music was inspired far more by 1970s metal (much like Alice in Chains and Soundgarden) than the punk which influenced many other grunge bands. Although their commercial success was limited, their music is still highly regarded amongst grunge fans.
Published in Song of 2day
Friday, 16 February 2018 15:18

DC3 - We feel the sky

DC3 (also known as D.C. 3) was an American rock and roll band formed by singer, songwriter and guitarist Dez Cadena in 1983 and active until 1988. Cadena had been a member of California-based punk rock group Black Flag from about 1980 to 1983, first as singer, then as rhythm guitarist. 1982 was the beginning of a record distribution problem that severely curtailed Black Flag's activities. During this hiatus, Cadena formed DC3 with keyboardist Paul Roessler (formerly of LA's infamous Screamers), and drummer Jeff Dahl. Paul's younger sister, Kira, also practiced with the band early on before joining Black Flag. Their debut album, This Is The Dream, was released in 1985 on SST Records and featured a major Black Sabbath influence with very little of the hardcore or punk stylings of Black Flag. The album is particularly notable for the songs "I Believe It" and "Ain't No Time Here Now", which were originally written and played live by Black Flag and are also present on that band's The Complete 1982 Demos Plus More as "Yes I Know" (identical lyrics to the DC3 version) and "What Can You Believe" (different lyrics than the DC3 version, but nearly identical music).
Published in Song of 2day
Blue Öyster Cult was the thinking man's heavy metal group. Put together on a college campus by a couple of rock critics, it maintained a close relationship with a series of literary figures (often in the fields of science fiction and horror), including Eric Von Lustbader, Patti Smith, Michael Moorcock, and Stephen King, while turning out some of the more listenable metal music of the early and mid-'70s. The band that became Blue Öyster Cult was organized in 1967 at Stony Brook College on Long Island by students (and later rock critics) Sandy Pearlman and Richard Meltzer as Soft White Underbelly and consisted of Andy Winters (bass), Donald "Buck Dharma" Roeser (guitar), John Wiesenthal -- quickly replaced by Allen Lanier -- (keyboards), and Albert Bouchard (drums), with Pearlman managing and Pearlman and Meltzer writing songs. Initially without a lead singer, they added Les Bronstein on vocals. This quintet signed to Elektra Records and recorded an album that was never released. They then dropped Bronstein and replaced him with their road manager, Eric Bloom, as the band's name was changed to Oaxaca. A second Elektra album also went unreleased, though a single was issued under the name the Stalk-Forrest Group. Cut loose by Elektra, they changed their name again, to Blue Öyster Cult, and signed to Columbia Records in late 1971, by which time Winters had been replaced by Albert Bouchard's brother Joe. Blue Öyster Cult, their debut album, was released in January 1972 and made the lower reaches of the charts.
Published in Song of 2day
Friday, 19 January 2018 10:00

Bulbous Creation - End Of The page

A Kansas-based rock band whose music was a downbeat mixture of psychedelia and hard rock, Bulbous Creation would have to wait until many years after they broke up to receive any recognition outside their home town. Bulbous Creation were formed by bassist Jim "Bugs" Wine and guitarist, vocalist, and songwriter Paul Parkinson, both of whom grew up in Prairie Village, Kansas, a town about ten miles from Kansas City. Parkinson took up guitar in his early teens and played in a handful of ad-hoc groups during his high-school days, most featuring his good friend Wine on bass. In 1966 Wine went into the military, and he settled in Kansas City, Kansas upon his return three years later. Wine was keen on starting a band, and a newspaper ad brought him together with a talented guitarist, Alan Lewis, and a capable drummer, Chuck Horstmann. However, the band needed a boost with its songwriting, and after Wine ran into his old friend Parkinson, he was soon invited to join the group and contribute lyrics and vocals. (A fifth member, keyboard player Lynne Wenner, occasionally joined the group on-stage.) Lewis was keen on naming the new band Bulbous, which didn't sit well with his bandmates, but when someone suggested tagging Creation onto the moniker, the group agreed on the new name.
Published in Song of 2day
Monday, 15 January 2018 10:41

Satan's Satyrs - Germanium Bomb

Staggering out of Herndon, Virginia, like a six-legged razorback high on blood and gas fumes, Satan’s Satyrs ply the kind of doom-fuzz domination and full-tilt horror boogie that exists about a million miles outside the realm of giving a fuck. Teenage mastermind Clayton Burgess recorded and played every instrument on the band’s 2012 debut, Wild Beyond Belief!, while he was still in high school. Inspired by Blue Cheer, Electric Wizard and a slew of sleazy 60s/70s cult biker flicks like The Glory Stompers, Werewolves On Wheels and Satan’s Sadists, Burgess eventually found kindred spirits in guitarist Jarrett Nettnin and drummer Stephen Fairchild, who joined the SS fold in time to appear on last year’s Hammond-drenched brain-boiler Die Screaming.
Published in Song of 2day
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