stoperithorio

stoperithorio

12 Nov
Published in Song of 2day
After a few albums of 'more Sabbath-y than Sabbath' Stoner Doom in the mid-to-late nineties, 2001 saw Cathedral return to their down-tuned bowel rattling best, trudging out a darker, monolithic hour of soul searching Doom that most of their hardened fans had hoped for. Gone were the comedic cries of "Huggy Bear - Oh Yeah!", instead replaced here with screams of anguish and shadowy tales aplenty. Opener "Cathedral Flames" greets the listener with a slow pounding instrumental dirge, segueing nicely into the best track on the album "Melancholic Emperor", where Lee Dorrian's "Oooh!!" sees the main riff crash from your speakers with all the subtlety of a herd of rampaging Elephants. There is of course still huge amounts of Sabbath-influenced riffery, but painted with a much darker, almost monochromatic palette when compared to the likes of "Carnival Bizarre." The rest of the album follows suit in various different guises and tempos, with only "Astral Queen" slowing the pace completely with its "Planet Caravan"-like smoked out acoustic gentleness. Touches of a beefed up St. Vitus can be heard washing through the riffs of "Whores of Oblivion" which, although in my opinion it's one of the weakest tracks on the album, still sounds pretty decent nestled midway into the album. In my eyes at least, this was Cathedral's best album since 'The Ethereal Mirror'. Although the two albums that followed this one kept the darker slant in the music, they didn't quite manage to replicate the quality of the songs that make up this album. "Endtyme" is a largely unheralded gem in Cathedral's back catalogue, and it's certainly worth your time investigating.
11 Nov
Published in Song of 2day
Stray Cats are an American rockabilly band formed in 1979 by guitarist and vocalist Brian Setzer, double bassist Lee Rocker, and drummer Slim Jim Phantom in the Long Island town of Massapequa, New York.The group had numerous hit singles in the UK, Australia, Canada and the U.S. including "Stray Cat Strut", "(She's) Sexy + 17", "Look at That Cadillac," "I Won't Stand in Your Way", "Bring it Back Again", and "Rock This Town", which the Rock and Roll Hall of Fame has listed as one of the songs that shaped rock and roll.
10 Nov
Published in Song of 2day
Robert Gordon (born March 29, 1947) is an American musician and actor, best known as a neo-rockabilly singer.His influences included Gene Vincent, Jack Scott, Billy Lee Riley, Eddie Cochran and other notable rock 'n roll music artists of the period. He made his recording debut at age 17 in 1964 with a group called the Confidentials. The Confidentials, with Robert (called Bob at the time) as the singer, recorded the songs "Summertime," "Money," and "There is Something on Your Mind," among others on acetate phonograph discs. When asked how he related to the 1960s, Robert replied "I didn't." He didn't care much for the British Invasion but he identified with soul singers such as James Brown and Otis Redding whom he saw, among other great R&B acts, performing at Washington DC's famous Howard Theatre.
09 Nov
Published in Song of 2day
When his punk band, the Pop Rivets, broke up in 1980, Billy Childish formed a new group with Mickey Hampshire, a Pop Rivets roadie who had been performing in a group called Mickey and the Milkshakes. The two began writing songs together and released their first LP, Talkin' About, in 1981. With Childish on guitar and vocals, Hampshire on guitar and vocals, Bruce Brand on drums, and Russ Wilkins (later replaced by John Agnew) on bass, the Milkshakes sound was a primitive blend of British beat groups, like the early Kinks at their toughest, and hard-rocking American guitar instrumentalists, like Link Wray. This sound came to be known as the "Medway sound" and Childish has been playing a variation on it throughout his whole career. The Milkshakes were a very prolific group, recording nine records in their six years together. Childish and Hampshire split the lead vocal duties and the band was very much a blend of Childish's primitive songwriting and Hampshire's more melodic leanings. The group also masterminded and backed a Medway girl group, the Delmonas. The Milkshakes broke up in 1984 and Childish, Brand, and Agnew went on to form Thee Mighty Caesars where Childish's raw punk-blues could roam untainted by any semblance of professionalism.
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